The event featured screening of a book’s brief film instrumentation by Pritagita Arianegara, starring Reza Rahadian, Dian Sastrowardoyo, Ayushita, Tio Pakusadewo and Aryani Willems.
It was a prolonged tour for Leila to finish a 379-page novel. The thought came in 2008, when she was in charge of Tempo magazine’s special book about former President Suharto.
She asked associate publisher Nezar Patria, a survivor of a 1998 abductions, to write about his ordeal. Moved by the testimony, Leila decided to write a illusory account.
“The characters took figure first. After that, we done serve investigate and interviewed other survivors,” pronounced Leila, whose prior novel “Home” described a anti-communist purges in 1965.
Tales From a Sea
The “sea” in a pretension refers to a categorical character’s name and comfortless fate. University tyro Biru Laut, whose name means “the blue of a sea,” dies by drowning. He speaks from underneath a sea, revelation a reader about his journey, fears, impasse in organizations, hiding, arrest, woe and death.
The second half of a novel depicts Laut’s family and friends trying to find him and understanding with his absence.
Told from a viewpoint of Asmara Jati, Laut’s small sister, it shows stages of grief — from rejection to acceptance. Their father always leaves an dull image on a dining table, their mom cooks Laut’s favorite food.
His friends, activists who survived, feel guilty for being alive. Later they settle tellurian rights organizations.
Nezar said during a book launch that a feeling shame is indeed there whenever he meets with associate activists. Conversations always spin gloomy as they remember their mislaid friends.
“I don’t know because some of us came behind and some didn’t. we feel like we owe them. It’s like a calamity that keeps entrance back.”
The novel ends with Laut’s minute to his sister about relocating on. It is “sent” from a inlet of a sea.
Asmara and others answer with small ships carrying flowers and photographs of a blank — in a mystic funeral.
Wahyu Susilo, Migrant Care authority and hermit of abducted activist, producer Wiji Thukul, said a book sends a summary that a blank activists will not be forgotten.
“Perhaps these works don’t send a leaders into action, though they can make a immature era comprehend they wouldn’t have leisure of speech, had it not been for these activists,” Wahyu said, recalling Yosep Anggi Noen’s “Istirahatlah Kata-Kata” (“Solo, Solitude”), a biopic on Wiji Thukul.
Leila pronounced she was overwhelmed when a families thanked her for bringing behind a issue. But after all it is a work of fiction, she said, with no goal to teach or preach.
“I didn’t wish to be pedantic. we only wanted to tell a story. If there are certain issues that seem like a domestic mission, we leave to a readers’ interpretation,” she said.